les liens invisibles

“Sonica is conceived as a showcase of the yearly program of MoTA Museum of Transitory Art. Sonica is an experimental festival, which questions ways of representation, exhibition formats, crossing borders between art and theory, object and performance and this year specially the virtual and the real. With the theme real virtuality, Sonica will start a [...]

Cease & Desist Art: yes, this is illegal! curated by Simona Lodi @ LPM 2010 – LIVE PERFORMERS MEETING For some years now, it has become common among digital artists to focus on illegal art practices. Countless Cease & Desist letters have been sent out by companies to pirates, plagiarists, hackers and disturbers, which are [...]

MAXXI – National Museum of the Arts of the XXIst Century 30. Mai – 25. December 2010 PREVIEWS: May 27. / 28. / 29. 2010 OPEN TO THE PUBLIC: May 30. 2010 Curator: Elena Rossi Artists: Bestiario.org(Santiago Ortiz; Marianna Rondon, Mariano Sardon; Mariela Yeregui) Bianco-Valente David Crawford Boredomresearch (Vickey Isley e Paul Smith) Dr. Hugo [...]

Geoff Cox has recently published for Arnolfini Journal a really interesting text about so called Democracy 2.0. The text, that you can read here, includes many references to our recent works. Hope you’ll enjoy it.

We’ll take part of the third edition of NODE FEST in Rome showing our “Too close to duchamp’s bycicle.

”“The More I Look, the More I See”, Nov 10 – Dec 10, 2010′ Galerija Galzenica, Velika Gorica (Croatia) Giuseppe di Bella Les Liens Invisibles Vincent W.J. van Gerven Oei & Jonas Staal David Smithson Tea Tupaji?

Exhibition curated by: Marco Mancuso and Claudia D’Alonzo for Digicult & Michal Brzezinski Exhibition period: 16/04/2010 – 16/05/2010 Opening: Friday 16/04/2010 Artists: Milycon / En, Dorota Walentynowicz, Saso Sedlacek, Jan Van Neuenen, Les Liens Invisibles, Marc Lee, Yorit Kluitman, Vit Klusak a Filip Remunda Concept: On November 20, 2009, just few days before the COP [...]

From http://www.v2.nl/events/test_lab-tools-for-propaganda The increased accessibility and affordability of contemporary media technologies has greatly expanded possibilities for the dissemination of independent and grassroots information. At the same time, these developments have also greatly increased the opportunities for (mis)use of media technologies as powerful and effective tools for political and commercial propaganda. Although many theorists, artists, and [...]